I never set out to write about Indians. Okay, Native Americans. But you see, when I began my career in historical romance back in the late Pleistocene, the name—or misname (blame Columbus for that one)—was Indian, or American Indian. I’d grown up reading Zane Grey, Luke Short, Edison Marshall and many more western writers. Not a big surprise that my first two novels were western romances, tales of Old California about horse breeders, gold miners and ranchers. I don’t do cowpokes, lonesome or otherwise.
In my July release, Chosen Woman, I added another layer of conflict to the mystical elements. Fawn, my Cheyenne heroine, is the Chosen Woman who inherits her grandfather’s gift of prophesy. Her recurring visions while she is being educated back East involve a red prairie wolf that she comes to consider her totem, her protector. But when a cocky red-haired Irishman appears to guard her on her journey home to her people, she feels an irrational aversion to him. He, in fact, terrifies her. This arrogant white man could not be her protector…could he? At first Jack believes Fawn is simply a spoiled brat, but after she saves his life by knocking him from his horse just before a bullet whizzes by his head, he gets a creepy feeling. Maybe there is some truth to what her white adoptive father told him about her ability to see the future. On the trip from St. Louis to Oklahoma Territory, Fawn realizes that she is developing greater control of her powers with Jack at her side. When evil men kidnap her, she projects her vision of them to him. Through her eyes, he sees them and the place where they hide. At story’s end, he understands and she accepts that he is her Red Wolf, her spirit guide and protector. Neither is complete without the other.
Call it a match made in heaven…or a design decreed by the Powers. Either way, it’s pure romance magic.
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